E-Mu B-3 Betriebsanleitung PDF herunterladen (Seite 201)

Chapter 11: Reference Section 191

Z-PLANE FILTER DESCRIPTIONS

F095 EZ Vibez.4

Like 098-“Easy Rhodes”, this is essentially a 2-pole low-pass filter,

sweeping from a gentle roll-off at 65Hz to reveal a wide open

response.

Morph: Sweeps from lowpass to wide open response.

Freq. Tracking: Keyboard tracking.

Transform 2: Not used.

F096 Piano 01

Designed to make possible a set of Piano presets that sound like

they were recorded with the sustain pedal down.

F097 PianoFltr4

This filter functions much like a lowpass filter with a low ‘Q’

setting. Cutoff frequency is controlled along the Morph axis.

Increasing the value for Frequency Tracking increases overall

brightness. Although this filter is designed to work well for adding

expressiveness to piano-type sounds, it can also be useful in many

instances when a filter with a gentle slope is required.

Morph: Controls cutoff frequency.

Freq. Tracking: Controls cutoff frequency and brightness.

Transform 2: Not used.

F098 EZ Rhodez4

A lowpass filter, with cutoff frequency ranging from about 200Hz

to about 5kHz along the Morph axis.

Morph: Sets cutoff frequency.

Freq. Tracking: Controls filter depth.

Transform 2: Not used.

F099 MoogVocodr4

Designed to simulate the classic vocoder filter response. Morph

sweeps the frequencies. Frequency Tracking produces a more nasal

and enclosed effect.

Morph: Sweeps frequency.

Freq. Tracking: Increases resonance.

Transform 2: Not used.

F100 MoogVocSwp

Similar to “MoogVocodr4”, but brighter. Can create variety of

interesting responses by altering offsets of each axis, such as

sweeping Morph with Frequency Tracking at maximum.

Morph: Sweeps frequency.

Freq. Tracking: Increases resonance.

Transform 2: Changes the effect of the Morph parameter.

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E-Mu B-3 Betriebsanleitung Seite 201