E-Mu B-3 Betriebsanleitung PDF herunterladen (Seite 215)

Chapter 11: Reference Section 205

F168 CntrySweep4

Multiple peaks are swept in a variety of directions, imparting a

phase-shifter-like, almost vocal quality when this filter is

morphed.

Morph: Set this higher to move widely spaced peaks closer to-

gether.

Freq. Tracking: Set this higher to move low-frequency peaks

towards the higher ranges.

Transform 2: Not used.

F169 Diffuser4

Morphing this filter upward sweeps a resonant peak up in fre-

quency and increases low frequency content. The Frequency

Tracking parameter can be used to tune the peak.

Morph: Use to tune the resonant peak and control low-frequency

content.

Freq. Tracking: Use to ‘tune’ the resonant peak and control low-

frequency content.

Transform 2: Not used.

F170 MdlySweep4

Morphing this filter upward sweeps several resonant peaks up in

frequency. The Frequency Tracking parameter can be used to tune

the peaks.

Morph & Freq. Tracking: Tune the resonant peaks.

Transform 2: Not used.

F171 StrongShimr

This filter produces several deep notches in the frequency spec-

trum, which can be tuned or swept according to the settings and

modulators for the Morph Offset, Frequency Tracking, and Trans-

form 2 parameters.

Morph: Raising this value lowers the frequency of the notches,

producing thinner sounds.

Freq. Tracking: Raising this value lowers the frequency of the

notches, producing thinner sounds.

Transform 2: Raising this value raises the frequency of the

notches, producing fatter sounds.

F172 Acc.Vel-1

Morph: Fixes soft “Start-point”.

Freq. Tracking: Provides key tracking to balance keyboard bright-

ness.

Transform 2: Controls brightness and volume.

Comments: Velocity cube. Use Morph to establish soft start point.

Z-PLANE FILTER DESCRIPTIONS

1 2 ... 210 211 212 213 214 215 216 217 218 219 220 ... 269 270

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