E-Mu SP1200 Bedienungsanleitung Seite 29

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RECORDING SEGMENTS
23
Another option is high resolution mode, where the SP-1200 places beats exactly where you
play them rather than “rounding them off” to the nearest specified note. This allows synco-
pation, beats which slightly lead or lag the rhythm, and so on.
When programming in step time, the Auto Correct setting determines the rhythmic value
of each step. For example, with an Auto Correct setting of 1/8, you will step through the
song an eighth note at a time. Selecting HiRes mode steps through the song at a rate
equivalent to sixty-fourth note triplets. See later for more information on step time record-
ing.
2E SETTING AUTO CORRECT
To set Auto Correct, the SP-1200 must be in segment mode. The SP-1200 can be stopped or
running (recording).
1. Press AUTO CORRECT. The display shows the current Auto Correct value (default
is 1/4).
2. The Right Arrow and Left Arrow buttons step through the various Auto Correct
options: 1/4 (quarter notes), 1/4t (quarter note triplets), 1/8 (eighth notes), 1/8t
(eighth note triplets), 1/16 (sixteenth notes), 1/16t (sixteenth note triplets), 1/32
(thirty-second notes), 1/32t (thirty-second note triplets), and HiRes (no
autocorrection)
3. When the display shows the desired Auto Correct value, press ENTER.
Note: Changing Auto Correct does not affect any parts recorded prior to the change.
2F RECORDING A SEGMENT IN REAL TIME
(ALSO REPEAT RECORDING)
Now that you’ve selected a segment and dimensioned it, you’re ready to record drum
patterns into the segment.
1. If necessary, program the metronome and Auto Correct resolution. Set pitch, mix,
and other parameters as desired.
2. While holding down RECORD, push RUN/STOP so that the RUN/STOP light
glows; the metronome will start. The RUN/STOP LED will blink off at the beginning
of the segment, and there will also be an accented metronome beat at the beginning
of each measure.
3. Play the various drums where you want them to occur in the segment. The segment
will repeat over and over, so you may “overdub” as many drum beats as you like.
For example, record a basic bass drum part first, then snare drum sounds, then some
differently tuned snare drum sounds, cowbell, etc. Any drum sounds you record
during one cycle of the segment will play back on the next cycle of the segment.
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